Tibetan Sound Levitation
Barry Carter ( bcarter@igc.apc.org )
Thu, 22 Oct 1998 19:48:49 -0700
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Dear Friends,
I got this note off of another email list:
Date: 10 Jun 1998 05:51:07 -0000
From: Rick Audette <rea1@gte.net>
To: Science & Spirituality List <science-l@spiritweb.org>
Reply-to: Rick Audette <rea1@gte.net>
Subject: [science-l] Acoustical Levitation Machinery
Here's something interesting about using sound waves to change the
state of
matter.
Rick
Excerpt from "Anti-gravity and the World Grid" edited by
D.H.Childress,
ch.8, Acoustic levitation of stones by Bruce Cathie, pp. 213-217
A New Zealand scientist recently gave me an intriguing extract from an
article published in a German magazine, relating to a demonstration of
levitation in Tibet. After obtaining a translation by a German
journalist,
in English, I was amazed at the information contained in the story,
and was
surprised that the article had slipped through the suppression net
which
tends to keep such knowledge from leaking out to the public. All the
similar types of stories that I had read up until now were generally
devoid
of specific information necessary to prove the veracity of the
account. In
this case a full set of geometric measurements were taken, and I
discovered, to my great delight, that when they were converted to
their
equivalent geodetic measures, relating to grid harmonics the values
gave a
direct association with those in the unified harmonic equations
published
in my earlier works. The following extracts are translations taken
from the
German article: 'We know from the priests of the far east that they
were
able to lift heavy boulders up high mountains with the help of groups
of
various sounds...the knowledge of the various vibrations in the audio
range
demonstrates to a scientist of physics that a vibrating and condensed
sound
field can nullify the power of gravitation. Swedish engineer Olaf
Alexanderson wrote about this phenomenon in the publication, Implosion
No. 13.
The following report is based on observations which were made only 20
years
ago in Tibet. I have this report from civil engineer and flight
manager,
Henry Kjelson, a friend of mine. He later on included this report in
his
book, The Lost Techniques. This is his report.
A Swedish doctor, Dr. Jarl, a friend of Kjelsons, studied at Oxford.
During
those times he became friends with a young Tibetan student. A couple
of
years later, it was 1939, Dr. Jarl made a journey to Egypt for the
English
Scientific Society. There he was seen by a messenger of his Tibetan
friend,
and urgently requested to come to Tibet to treat a high Lama.
After Dr. Jarl got the leave he followed the messenger and arrived
after a
long journey by plane and Yak caravans, at the monastery, where the
old
Lama and his friend who was now holding a high position were now
living.
Dr. Jarl stayed there for some time, and because of his friendship
with the
Tibetans he learned a lot of things that other foreigners had no
chance to
hear about or observe.
One day his friend took him to a place in the neighbourhood of the
monastery and showed him a sloping meadow which was surrounded in the
north
west by high cliffs. In one of the rock walls, at a height of about
250
metres was a big hole which looked like the entrance to a cave.
In front of this hole there was a platform on which the monks were
building
a rock wall. The only access to this platform was from the top of the
cliff
and the monks lowered themselves down with the help of ropes.
In the middle of the meadow, about 250 metres from the cliff, was a
polished slab of rock with a bowl like cavity in the centre. The bowl
had a
diameter of one metre and a depth of 15 centimetres. A block of stone
was
manoeuvred into this cavity by Yak oxen. The block was one metre wide
and
one and one half metres long. Then 19 musical instruments were set in
an
arc of 90 degrees at a distance of 63 metres from the stone slab. The
radius of 63 metres was measured out accurately. The musical
instruments
consisted of 13 drums and 6 trumpets.(Ragdons)
Eight drums had a cross-section of one metre, and a length of one and
one
half metres. Four drums were medium size with a cross-section of 0.7
metre
and a length of one metre. The only small drum had a cross-section of
0.2
metres and a length of 0.3 metres. All the trumpets were the same
size.
They had a length of 3.12 metres and an opening of 0.3 metres. The big
drums and all the trumpets were fixed on mounts which could be
adjusted
with staffs in the direction of the slab of stone. The big drums were
made
of 1mm thick sheet iron, and had a weight of 150kg. They were built in
five
sections. All the drums were open at one end, while the other end had
a
bottom of metal, on which the monks beat with big leather clubs.
Behind
each instrument was a row of monks.
When the stone was in position the monk behind the small drum gave a
signal
to start the concert. The small drum had a very sharp sound, and could
be
heard even with the other instruments making a terrible din. All the
monks
were singing and chanting a prayer, slowly increasing the tempo of
this
unbelievable noise. During the first four minutes nothing happened,
then as
the speed of the drumming, and the noise, increased, the big stone
block
started to rock and sway, and suddenly it took off into the air with
an
increasing speed in the direction of the platform in front of the cave
hole
250 metres high. After three minutes of ascent it landed on the
platform.
Continuously they brought new blocks to the meadow, and the monks
using
this method, transported 5 to 6 blocks per hour on a parabolic flight
track
approximately 500 metres long and 250 metres high. From time to time a
stone split, and the monks moved the split stones away. Quite an
unbelievable task.
Dr. Jarl knew about the hurling of the stones. Tibetan experts like
Linaver, Spalding and Huc had spoken about it, but they had never seen
it.
So Dr. Jarl was the first foreigner who had the opportunity to see
this
remarkable spectacle. Because he had the opinion in the beginning that
he
was the victim of mass-psychosis he made two films of the incident.
The
films showed exactly the same things that he had witnessed.
The English Society for which Dr. Jarl was working confiscated the two
films and declared them classified. They will not be released until
1990.
This action is rather hard to explain, or understand.: End of trans.'
The fact that the films were immediately classified is not very hard
to
understand once the given measurements are transposed into their
geometric
equivalents. It then becomes evident that the monks in Tibet are fully
conversant with the laws governing the structure of matter, which the
scientists in the modern day western world are now frantically
exploring.
It appears, from the calculations, that the prayers being chanted by
the
monks did not have any direct bearing on the fact that the stones were
levitated from the ground. The reaction was not initiated by the
religious
fervour of the group, but by the superior scientific knowledge held by
the
high priests. The secret is in the geometric placement of the musical
instruments in relation to the stones to be levitated, and the
harmonic
tuning of the drums and trumpets. The combined loud chanting of the
priests
using their voices at a certain pitch and rhythm most probably adds to
the
combined effect, but the subject matter of the chant, I believe, would
be
of no consequence.
The sound waves being generated by the combination were directed in
such a
way that an anti-gravitational effect was created at the centre of
focus
(position of the stones) and around the periphery, or the arc, of a
third
of a circle through which the stones moved.
If we analyse the diagram published with the original article, then
compare
it with the modified diagram, we become aware of the following
coordinates,
and the implications, when compared with my previously published
works.
The distance between the stone block and the central pivot of the drum
supports is shown as 63 metres. The large drums were said to be one
and one
half metres long, so the distance from the block to the rear face of
each
drum could be close to 63.75 metres considering that the pivot point
would
be near the centre of balance. My theoretical analysis, by calculator,
indicates that the exact distance would be 63.7079 metres for the
optimum
harmonic reaction. By mathematical conversion we find that this value
is
equal to 206.2648062 geodetic feet, which is harmonically equal to the
length of the earths radius in seconds of arc (relative to the earths
surface) 206264.8062. This also leads us to the following
associations:
(206.2648062 x 2) = 412.5296124
This number squared = 170180.68 which is the theoretical harmonic of
mass
at the earths surface.
The four rows of monks standing behind the instruments in a quarter
circle
added to the production of sound by their loud chanting and must be
taken
in to account in regards to the geometric pattern. If we assume that
they
were standing approximately two feet apart, we can add a calculated
value
of 8.08865 geodetic feet to the radius of the complete group. This
gives a
maximum radius of: 214.3534583 geodetic feet.
The circumference of a complete circle with this radius would be:
1346.822499 geodetic feet.
Which is a half harmonic of 2693.645 (unified field)
The distance from the stone block to a calculated point within the
cliff
face and the height of the ledge on the cliff face from ground level
is
given as 250 metres. If we can now imagine that the raised stone
blocks
pass through a quarter arc of a circle during their flight from ground
level to the hole in the cliff face, then the pivot point of the
radius
would be coincident with this position.
The theoretical radius was found to be: 249.8767262 metres which very
closely approximates the estimate. This converts to 809.016999
geodetic
feet. The diameter of the full circle would therefore be: 1618.034
geodetic
feet.
A circle with this diameter has a circumference of 5083.203728 units,
which
can be divided into three even lengths of 1694.4 It therefore appears
that
the levitated blocks, once resonated to a certain frequency, would
tend to
carry out a flight path that is coincident to one third of a circle.
The
spacial distance being equivalent to the mass harmonic at the center
of a
light field, 1694443.
The instruments used by the group, in theory, would also have been
tuned to
produce harmonic wave forms associated with the unified fields. The
given
measurements are in rounded off parts of a metre but in practice some
slight variations from these measurements would be expected in order
to
create the appropriate resonating cavities within the instruments.
The geometric arrangement, and the number of instruments in the group
would
also be a most important factor.
If the given measurement for each type of drum is modified
fractionally and
converted to its geometric equivalent an interesting value for the
cubic
capacity is evident.
The large drums:
1.517201563 metres long, 1.000721361 metres wide = 58.94627524
geodetic
inches long, 38.88 geodetic inches wide = 69984 cubic inches capacity
=
40.5 cubic geodetic feet capacity.
Therefore the cubic capacity for eight drums = 324 cubic geodetic feet
This
harmonic value is built into the world grid and is equal to half the
harmonic 648.
The medium size drums:
1.000721361 metres long, 0.695189635 metres wide = 38.88 geodetic
inches
long, 27.00948944 geodetic inches wide = 22276.59899 cubic geodetic
inches
capacity = 12.89155034 cubic geodetic feet capacity.
Therefore the cubic capacity for four drums: = 51.56620136 cubic
geodetic feet
14.97414932 centimetres = 5.895334377 inches = 5.817764187 geodetic
inches
= 0.484813682 geodetic feet
As the dish-shape was focused upward towards the stone block to be
levitated it would be expected that some type of reaction would take
place
which had an effect on the mass. The geometric shape of the cavity
does
seem to be engineered in such a way the projected frequency vortex
causes a
reciprocal reaction to the mass harmonic of each block.
The reciprocal of 0.484813682 = 2.062648055
Twice this value: = 4.12529611
The square of this value: = 17.018068 (the harmonic of mass at the
earth's
surface.17018068
I believe that there is not much doubt that the Tibetans had
possession of
the secrets relating to the geometric structure of matter, and the
methods
of manipulating the harmonic values, but if we can grasp the
mathematical
theory behind the incident, and extend the application, then an even
more
fascinating idea presents itself.
Note from Rick :
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* In reply to: Barry Carter: "Re: Literally Throwing Sound"